【大象视界】最容易疯狂出圈的保藏门类，常常还是地板价
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">今天<span style="color: black;">咱们</span>继续来关注年底举行的华艺国际秋拍，在上两次的推送中，<span style="color: black;">咱们</span>分别关注的是书画和古董板块：</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><a style="color: black;">【大象视界】千万元重器竟然还能凑成对！1.47亿明星藏品同款……这场大拍真有料</a></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><a style="color: black;">【大象视界】他的一幅画卖了四亿多，千载难逢的藏购良机就在年末盛宴</a></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">今天<span style="color: black;">咱们</span><span style="color: black;">一块</span>来看一个<span style="color: black;">非常</span>有意思的板块——<span style="color: black;">书画手札、<span style="color: black;">古籍碑帖、<span style="color: black;">文</span><span style="color: black;">房古董，过去几年来，这一板块<span style="color: black;">始终</span><span style="color: black;">败兴</span>都是华艺拍卖的绝对强项，而这<span style="color: black;">亦</span>是一个趣味十足的<span style="color: black;">保藏</span>门类，<span style="color: black;">况且</span>非常容易“出圈”。</span></span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;"><span style="color: black;">今年秋拍，<span style="color: black;">倘若</span>要说一个全网关注度最高的拍品，当属一封著名作家王小波向赵朴初咨询“出家”信件，被佛教协会工作人员批注“此信所述意欲出家的<span style="color: black;">原由</span>，实属荒唐，拟不予理睬”。王小波的“出家梦想”从此终止。而更有意思的是，就在写这封“出家信”约半年后，王小波赴美国留学，与妻子李银河相聚。有<span style="color: black;">兴趣</span>者将信件内容发到网上，竟然<span style="color: black;">诱发</span>了热烈的关注点评，阅读次数达到数千万级别！要<span style="color: black;">晓得</span>，<span style="color: black;">保藏</span>是一个极为小众的<span style="color: black;">行业</span>，大象公众号写了10年，阅读10万＋的<span style="color: black;">文案</span><span style="color: black;">亦</span><span style="color: black;">仅有</span>2篇，数千万元的阅读实在不敢想，这便是“出圈”的魅力。</span></span></span><span style="color: black;">而就在<span style="color: black;">刚才</span>结束的西泠秋拍上，一批史学<span style="color: black;">大众</span>陈垣上款的信札整体以2780万元的高价落槌，为一位深圳知名藏家珍藏，再次彰显出这一板块的巨大魅力。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">相比较其他门类，这是一个极具历史温度的板块，<span style="color: black;">常常</span>展现的是一位重要历史<span style="color: black;">名人</span><span style="color: black;">或</span>艺术大师的真性情，抑或是他生命的真实痕迹，这是一个极容易出圈的<span style="color: black;">保藏</span>门类，<span style="color: black;">同期</span><span style="color: black;">亦</span><span style="color: black;">常常</span>是一个被低估的品种，容易被<span style="color: black;">忽略</span>，但细细咀嚼，又<span style="color: black;">能够</span>发掘出太多惊喜的附加值，本场华艺国际秋拍，以<span style="color: black;">“玩物适情”为主线，<span style="color: black;">搜集极具<span style="color: black;">表率</span>性的四类藏品——古籍碑帖、书画手札、文房古董以及宫廷收</span><span style="color: black;">藏，整场<span style="color: black;">明显</span>的正是藏品<span style="color: black;">背面</span>的趣味性和文化价值：</span></span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">1、</span>古籍碑帖</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">古籍碑帖以梁启超论《孟子》遗稿、吴湖帆陈子清旧藏手拓金石册、百衲本二十四史领衔，呈现了晚清民国文人在“百年未有之大变局”下对中国传统文化的再度<span style="color: black;">科研</span>与传承。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5GNQkSuWYsUI41dSFWQfxbZS6LCjWVdby5NpC7cHhPZ8uYiatS3pXiavVp4GNf0ibHsnu8ZoKplSBeAA/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1667-1</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">民国 梁启超论《孟子》遗稿附梁启超自用印章</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">线装纸本 一册</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">遗稿: 30.7x22.2 cm</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">印章: 1.86x1.86x3.9 cm</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">著录:</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">1.梁启超撰《梁启超论孟子遗稿》，见《学术<span style="color: black;">科研</span>》1983年第5期，第77-98页</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">2.李建撰《关于梁启超论孟子遗稿》，见《学术<span style="color: black;">科研</span>》1983年第5期，第99-102页</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">3.李锦全撰《评梁启超关于教育思想和人才学观点的重要遗稿》，见《学术<span style="color: black;">科研</span>》193年第6期，第54-62页</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">4.王兴业编《孟子<span style="color: black;">科研</span>论文集》，山东大学出版社，1984年版，第483页。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">5.汤志钧撰《梁启超论<孟子>》，见《史林》2007年第3期，第176-183页、第191页</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">6.董文奎编《梁启超<span style="color: black;">科研</span>着论目录》，崇文书局，2010年版，142页第8-37页。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">7.梁启超著，汤志钧、汤仁泽编辑《梁启超全集》第十集，人民大学出版社，2018年版</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">8.张少恩撰《坚守与嬗变之间一-以梁启超孟子学<span style="color: black;">科研</span>为中心》，见《社会<span style="color: black;">专家</span>》2018年第4期，第45-51页</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">9.夏晓虹著《阅读梁启超 政治与学术》，东方出版社，2019年版，第8-37页。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">10.刘雨薇撰《梁启超1918年暑期的家庭讲学》，见《名作欣赏》2020年第19期，第19-123页。</p>11.桑东辉撰《梁启超视界中的孟子及其对新民思想的影响一-以<梁启超论孟子遗稿为例》，见《学术
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">界》2022年第8期，189-195页。</p>RMB：1,200,000-1,500,000
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">《论<孟子>》遗稿，共一百三十二叶，每叶八行，金糕纸,色略黄。内容<span style="color: black;">重点</span>两部分，前有《孟子略传》，后有《孟子之教育主义》。此稿部分内容于1919年2月院续<span style="color: black;">发布</span>于《时事新报》，然未收入《饮冰室全》。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujV2AMibSgnAvTGUeN9Fibc7KzISp88reZcBelkMcgnebXjRAAs32Ze4jA/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">梁启超对孟子的<span style="color: black;">科研</span>，<span style="color: black;">初期</span>有<span style="color: black;">显著</span>的政治性阐释，变法失败梁启超卸任财政总长后，其学术主张<span style="color: black;">亦</span><span style="color: black;">逐步</span>淡化了政治内涵，转而回归传统，倾心于对中国古代哲学的现代阐释，这种转变<span style="color: black;">这里</span>《遗稿》中有鲜明的<span style="color: black;">表现</span>。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujfv2KYTKMEobWmV50ichcjErIuSk7ib6rMpN6KGQCJ4thwmpuUFw6oZpw/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">今年是梁启超诞辰一百五十周年，他<span style="color: black;">不仅</span>是中国近代思想家、政治家、教育家、史学家、文学家，书法家。<span style="color: black;">同期</span>还是一等一的教子<span style="color: black;">能手</span>。<span style="color: black;">一门三院士，九子皆精英，<span style="color: black;">梁启超先</span><span style="color: black;">生，被<span style="color: black;">叫作</span>赞为近代最懂教育的父亲。</span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujamN0KZFvKvwbW4pBgCtiaicJrEIvg00PVIsSUAOot1icGRdic4oTdEj4FA/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">梁启超论《孟子》遗稿撰写缘起是为1918年为子女讲《孟子》而作，并在同年将部分内容<span style="color: black;">发布</span>于《时事新报》上，后又屡加删改，是梁启超较为系统论述孟子教育主义的重要书稿。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">1919年2月，上海的《时事新报》曾连载梁启超《读<孟子>记（修养论之部）》，自道缘起：</span><span style="color: black;">“客岁暑中为儿曹讲《孟子》，略区为三部 : 一曰哲理论，二曰修养论，三曰政治论。</span><span style="color: black;">今将修养论之部，刊登报中，聊为青年学古淑身之一助。</span><span style="color: black;">全书未定稿，不敢以<span style="color: black;">面世</span><span style="color: black;">亦</span>。</span><span style="color: black;">” 今天华艺秋拍征集到的这件梁启超论《孟子》遗稿便是梁启超在未定稿<span style="color: black;">基本</span>上经过增删后的完整本。</span><span style="color: black;">此《遗稿》为毛笔手书，直行，古纸本，共一百三十二页，约二万多字。</span><span style="color: black;">梁启超的论《孟子》遗稿在未被完整<span style="color: black;">发布</span>以前，较少<span style="color: black;">导致</span>学界的<span style="color: black;">重视</span>。</span><span style="color: black;">直到1983年李建在《学术<span style="color: black;">科研</span>》中<span style="color: black;">发布</span>《关于梁启超论孟子遗稿》和《梁启超论孟子遗稿》全文，世人才对此稿展开多方<span style="color: black;">科研</span>。</span><span style="color: black;">汤志钧、夏晓虹、李锦全、桑东辉、张少恩、刘雨薇等学者<span style="color: black;">亦</span>都对其展开了专门<span style="color: black;">科研</span>。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujmmlgEUoedvIBwXccaibRRjStaZ08JfMWSpVm0rtUUHSv8Dcdpluquxg/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">此稿中的部分内容在日后面向众多学子的讲堂中<span style="color: black;">亦</span>屡屡派上用场，遗稿撰写当年梁思顺 26 岁，梁思成18岁，正与清华学校学生年龄相仿。</span><span style="color: black;">或许论《孟子》遗稿这部缘起于家庭讲学，<span style="color: black;">最后</span>可“聊为青年学古淑身之一助”的学术著作，是为梁启超孟子<span style="color: black;">科研</span>的最崇高之愿望。从中<span style="color: black;">咱们</span><span style="color: black;">亦</span><span style="color: black;">能够</span>一睹近代“最牛父亲”的魅力所在。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5GNQkSuWYsUI41dSFWQfxbZtNibaBpLzwEChpRQkVUFWFiat7nbbY4aS6u4oBxgZ2CT8zSIINgwvictA/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1641</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">晚清民国 吴湖帆、陈子清旧藏手拓金石册</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">线装纸本 五册</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">34×23 cm</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">说明：吴湖帆、陈子清旧藏手拓金石册，共五册：“吴氏十六金符斋藏金，子清集存”共92纸，“金一”共101纸，“金二”共60纸，“金，汉<span style="color: black;">败兴</span>”共77纸，“匋”共137纸。</p>RMB：800,000-1,200,000
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">此套金石册中拓片多为吴湖帆、陈子清所藏，兼有阮元、吴云、王懿荣等人藏品。所含拓片品类丰富，钟鼎彝器、钱范、铜镜、玉器、兵器、瓦当、匋文无所不包。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujwUFbnlf2myklKGQYu5Xeh1SXbG6gPpsGzzYXfq1N6vUBiaCqpOXia90w/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">该金石集拓所含拓片数量之钜、器物品类之丰富、题跋内容之精审、拓工之考究，皆为同类金石集拓之翘楚。可充分<span style="color: black;">表现</span>出晚清民国文人之间金石<span style="color: black;">科研</span>与<span style="color: black;">保藏</span>的盛况，是为金石<span style="color: black;">科研</span>与<span style="color: black;">保藏</span>的重要资料。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5GNQkSuWYsUI41dSFWQfxbZMbVA6m8f009L00sN1UWogM7pIKYKR4UUjPB0FVlPCYvzqyBGCUqSTQ/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;">
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1738</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">民国 百衲本二十四史附木箱</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">张元济辑 商务印书馆刊刻</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">820册3214卷 线装纸本</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">20×13 cm</p>RMB：80,000-100,000
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">“二十四史”是古代正史最完整的大规模汇刻本，重要的版本有清乾隆武英殿刻二十四史、清同治光绪间五省官书局合刻二十四史，以及本拍品——民国商务印书馆印刊印、张元济编辑的百衲本二十四史。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujH9SSDzOmL8Ef0SiafIxMTYolQA0khht577DzPiarePdtF2LtX3P06q7w/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">张元济自1930年至1936年将此书出齐，<span style="color: black;">导致</span>学界轰动。</span><span style="color: black;">蔡元培、傅增湘、胡适等人都大加赞誉，顾颉刚在《中国史学入门》一书中说“《二十四史》，以商务印书馆的百衲本为最好，是找到了现代能找到的最好最古的版本集中起来编印的。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">古籍碑帖类拍品在<span style="color: black;">以上</span>三件的领衔之下，<span style="color: black;">也</span>不乏值得<span style="color: black;">保藏</span>与赏玩的其它稿本、钞本、印本和拓本。</span><span style="color: black;">如徐信符钞本七种及他撰写的《古籍校读法》，介绍朝鲜名山金刚山风景的明钞本《枫岳记》原稿，存世量仅四本的商承祚手写蜡纸油印《古器物铭释》，《小校经阁金石拓本》《八琼室金石补正》《奇觚室吉金文述》等金石图录，以及《西泠八家印选》三十卷、王福庵自钤本福庵印稿、《金石红文》《苏氏印略》等印谱。</span><span style="color: black;">碑帖拓本则在呈现了<span style="color: black;">许多</span>名碑旧拓的<span style="color: black;">同期</span>，<span style="color: black;">亦</span>搜集了专题性拓本，如六舟手拓并钤印砖砚拓片、《南阜砚史》、李盛铎与叔鸿旧藏的北朝造像拓本、原石为端方所藏收录在《陶斋藏石》的韦府君墓志铭，以及尤为亮眼的容庚题跋东海宫司空盘全形拓。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/fmBpdPPGC5EAd5Ohysn705dlgpPZMYujqgHmloMecia7Sdlc7dABMkK8lxwR3qGnknZS5eb19QCO47WgT1X76gQ/640?wx_fmt=jpeg&from=appmsg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1756</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">容庚题跋汉东海宫司空盘拓片</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 立轴 民国 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">67.5×38 cm.</p>RMB 20,000-25,000
</span>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">2、</span>书画手札</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">本场明清文人的书札与书画作品，或为书画创作、或为书札手钞，从内容与形式上<span style="color: black;">一起</span>再现了中国文人以诗文书法交遊唱和、颐养性情的传统。一位职业书画家的<span style="color: black;">通常</span>书画作品，<span style="color: black;">常常</span>是应酬<span style="color: black;">或</span>定制之作，而书札手钞，<span style="color: black;">常常</span>才是最为真实的真情流露：</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p><span style="color: black;">点击下图可<span style="color: black;">上下</span>滑动</span><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1657</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">明 洪武 高棅、唐泰、王偁等闽中才子唱和手卷</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 手卷</p>
</span>
</strong><span style="color: black;"><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">25.5×256 cm</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">RMB：120,000-150,000</p>
</span></strong></span><span style="color: black;"><strong style="color: blue;"><span style="color: black;">六位闽中才子唱和诗卷。其中高棅、唐泰、王偁位列“闽中十才子”，林赐<span style="color: black;">也</span>为洪武进士。开篇“洪武壬申”为洪武二十五年，结尾“洪武癸酉”为洪武二十六年，<strong style="color: blue;"><span style="color: black;">此手卷书画部分已裁切</span></strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">1.高棅（1350-1423年），长乐龙门人，字彦恢，仕名廷礼，自号漫士，闽中十才子之一。明洪武间编成《唐诗品汇》。高棅著有《唐诗品汇》90卷，《唐诗拾遗》10卷，《唐诗正声》22卷等。现存明万历间刻本《闽高待诏诗集》5卷，明隆庆间无锡俞宪刻《盛明百家诗》后编本《高漫士集》1卷，《四库全书》本《高待诏诗集》5卷等。王恭《题高漫士为王明府绘吴航胜览》有言：“风流墨客龙门士，挥霍霜毫寄深意”，高棅诗、书、画被<span style="color: black;">叫作</span>为“三绝”，前未见传世作品，而观此卷可见其书以颜体为<span style="color: black;">基本</span>，结构较宽博，开合颇大，或可一窥徐渭法书之源。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">2.林赐，字伯予，长乐人，洪武癸酉乡试<span style="color: black;">第1</span>。永乐间，教谕乐平，问学该博，持守端严，巍然一时之望，见《饶州府志》。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">3.唐泰（约1410年前后），字亨仲，侯官（今福建福州）人，明朝洪武二十七年（1394）进士，官至陕西按察副使，工诗，著有《善鸣集》10卷、《唐观察诗》，位列“闽中十才子”之一。</p>4.王儞即王偁，灵武为其祖籍，王偁为高棅的《唐诗品汇》作序，署名便是“灵武王偁”。据《二十五别史·明史》载，王儞(1372-1415)，字孟扬，永福(今福建永泰)人。元潮州总管王翰之子，闽中十才子之一。洪武二十三年领乡荐。永乐初，授国史院检讨。充《永乐大典》副总裁。学识渊博,深通经史，有《虚舟集》。最为学士解缙所重。另《明太宗实录》卷二十六永乐元年十二月乙未条记“擢乡贡举人王儞为翰林院检讨，成既命下。上闻<span style="color: black;">上下</span>曰：‘翰林院检讨之下何官？’对曰：‘博士、典籍、侍书、待诏。’”《典故纪闻》中记“正儞”为“王儞”，而后来对其人名记载二者皆不正确，查《明史·文苑二》中记永乐初以举人进为翰林院检讨者，<span style="color: black;">仅有</span>“王偁”。
</span></strong></span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1633</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">晚清民国 吴大澂吴湖帆书画祖孙扇</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">泥金水墨纸本 成扇</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">19×51 cm.</p>RMB：50,000-80,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">此扇正面为吴大澂绘仿奚蒙泉山水，背面吴湖帆临愙斋公摹秦诏版文字，并楷书详题创作缘由。祖孙合作，又有吴湖帆双体书法并书于泥金扇面之上，扇骨贴有编号标签，当为吴湖帆自留物，非<span style="color: black;">通常</span>应酬作品可比。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1654</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">民国 郑孝胥书“学古斋”匾额</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">洒金水墨纸本 镜框</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">91×34 cm</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">源自</span>：民国琉璃厂学古斋老板温德润旧藏</p>RMB：500,000-550,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">郑孝胥传世墨迹较多，但匾额作品极为罕见。此“学古斋”匾额乃郑孝胥为琉璃厂学古斋所题，<span style="color: black;">选择</span>乾隆洒金明黄腊笺纸，书风阳刚又不失飘逸，神气完足，一气呵成。学古斋为清末民国琉璃厂长于经营文房的古玩铺，老板温德润是古墨<span style="color: black;">保藏</span><span style="color: black;">大众</span>，故宫现存古墨中不乏他所经手者。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1653</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沙孟海、王个簃书画成扇</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">洒金设色纸本 成扇 1978年</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：孟海</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">款识：（一）花团锦簇 一九七八年用平老弟嘱画，个簃。钤印：启之</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">（二）用平同志正腕，沙孟海</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">17.5×49 cm.</p>RMB：70,000-80,000
</span>
</strong><span style="color: black;">参王个簃落款年份，此件节录书谱作品应书于1978年<span style="color: black;">上下</span>。正是改革开放之初，沙老走马上任西泠印社社长前后，笔力雄健，意气风发，在这个时期，创作出了<span style="color: black;">非常多</span><span style="color: black;">表率</span>性作品。</span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">Lot</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">1660</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈荃临王逸少十七帖</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">8开16页 水墨纸本 册页 清</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：一砚斋 宫詹学士 沈荃之印</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">26×13.5 cm.</p>RMB：120,000-150,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">沈荃，华亭（今上海松江）人。</span><span style="color: black;">顺治九</span><span style="color: black;">年探花，授编修，累官至翰林院侍读学士、礼部侍郎，卒谥文恪。</span><span style="color: black;">工书法，宗法</span><span style="color: black;">米芾、董其昌，康熙年间以书名动天下，沈荃与董其昌同乡，极得董书的笔法特点与风神。</span><span style="color: black;"><span style="color: black;">兴趣</span>董其昌书法的康熙皇帝曾向他学习书法，深得康熙帝赏识，</span><span style="color: black;">为康熙帝书法</span><span style="color: black;">代笔人之一。</span><span style="color: black;">《江南通志》评：</span><span style="color: black;">“荃学行醇洁，书法尤推独步。”</span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1662</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">清 乾隆 孟承崶恭进乾隆南巡册</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">孟承崶</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">十二开 水墨纸本 手绘描金粉蜡笺 册页 清乾隆乙酉(1765)年</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：愿闻己过</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">款识：原任江南池州府青阳县革职知县臣孟承崶 跪 进</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">22.3×13 cm.</p>RMB：70,000-80,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;"><span style="color: black;">乾隆三十年，皇帝第四次南巡，原任江南池州府青阳县革职知县令孟承崶献此迎銮诗册并序。</span><span style="color: black;">内府装帧，前后四开明黄粉笺手绘五爪金龙，内页优雅的蓝色边框描金手绘缠枝花纹，富丽堂皇，尽显皇家气派。</span></span></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1676</strong></p><strong style="color: blue;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">清 </span></strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">左宗棠 行书七言联</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 镜框 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：大学士章、青宫太保恪靖侯、御赐旗常懋绩</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">款识：吾曹所学非章句，凡物可贵看精神。左宗棠。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">162×41 cm×2.</p>RMB：200,000-300,000
</span>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">康有为在《广艺舟双楫》道：“左文襄笔法如董宣强项，虽为令长，故自不凡。”文襄公行书出清臣、诚恳，北碑<span style="color: black;">也</span>时凑笔端，故肃然森立、劲中见厚。此联文字高古精凝，书法朴拙峻厚，士夫之修养与武将之英姿尽收其中，属其佳构。<span style="color: black;">上联右上角盖有＂御赐旗常懋绩＂竖式六字朱文双龙纹椭圆形印，这是收复新疆后皇帝专门赐封给他的印。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;"></span><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1677</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">清 胡林翼 行书七言联</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 镜心 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：臣林翼印、咏芝</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">藏印：益阳胡乡贤嫡曾孙文忠从子廉泉叔子子襄心畲氏珍藏书画章（二次）</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">款识：宦途少累神先定，天性多情句自工。润芝胡林翼。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">132×37 cm×2.</p>RMB：50,000-80,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">此联与现藏于益阳市博物馆的《胡林翼临颜家庙碑四条屏》均为胡氏从侄胡子襄旧藏。据《麦田胡氏族谱》记载，胡子襄即胡林翼叔父胡达灏之孙，胡（非木）翼之三子之焯（号子襄，字心畲），其兄之镛即后来过继给胡林翼为嗣的胡子勋（字少芝）。<span style="color: black;">胡氏出身科</span><span style="color: black;">甲正途，于诗礼之家，</span><span style="color: black;">其于清代书法碑学渐兴之道咸时期，仍以帖学之格独成一家，此联书袁枚《读白太傅集三首》之句，疏密有度，自然率真，可堪品读。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1680</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">清 梁同书、吴让之等书画扇面七十八帧（七十八选十六帧）</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">刘奎龄、杨昌蔭、赵松樵等</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">设色纸本 镜片 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">说明：梁同书书法扇面出版于《碑学与帖学书家墨迹—梁同书》 曾迎三编 上海辞书出版社2023年10月</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">尺寸不一</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">RMB：100,000-150,000</p>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">沈曾植海日楼专题（Lot1701-1716）</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈曾植海日楼专题汇聚了沈曾植手札15件，其内容兼及小说文稿、政论、题词等内容，书法风格,运用篆隶笔法，综合碑帖之美，浑融洒脱，富有诗意。沈曾植博古通今，学贯中西，以“硕学通儒”蜚振中外，誉<span style="color: black;">叫作</span>“中国大儒”。王国维<span style="color: black;">叫作</span>，道咸以后能“合精微深博为一身的是沈乙庵” 。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1703</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈曾植《海上世情鳞爪》 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 手札 清</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">出版：戴家妙主编《海日楼逸乘》，2022年版，第108-112页。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">29×16.5 cm. </p>
</strong><span style="color: black;"><strong style="color: blue;"><span style="color: black;">RMB：40,000-50,000</span></strong></span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;"> Lot1701</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈曾植书“宋代律敕” </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 手札 清 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">出版：戴家妙主编《沈曾植遗墨集 上》，西泠印社出版社，2022年版，第95页。 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">著录：沈曾植《海日楼札丛 海日楼题跋 1》，辽宁教育出版社, 1998年3月版，115页。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">24.3×25.4 cm. </p>
</strong><span style="color: black;"><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">RMB：15,000-20,000</p>
</span></strong></span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">沈尹默书法专题（Lot1717-1730）</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈尹默书法专题收录了沈尹默书法、手札共14个标的，<span style="color: black;">重点</span>有诗钞和文钞，以及临宋四家墨宝与真迹，皆为珍品。清季<span style="color: black;">败兴</span>，碑学盛行，沈尹默依然秉持自赵孟頫<span style="color: black;">败兴</span>的“二王”书法道统，以帖写碑，将理论与实践并行，经过“初学平正”、“务追险绝”、“复归平正”三个<span style="color: black;">周期</span>，终有“南沈北于”“南沈北吴”之誉，谢稚柳更<span style="color: black;">叫作</span>“数百年来，书家林立，盖无人出其右”。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1726</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈尹默行书《别赋》《恨赋》等手卷 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 手卷 近代 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">24.5×285cm</p>RMB：60,000-70,000
</span>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">《恨赋》《别赋》皆为南朝梁文学家江庵所作。江庵早年以<span style="color: black;">文案</span>著<span style="color: black;">叫作</span>，晚年诗文不进，时谓“江郎才尽”。此二赋是为其最负盛名之作。《恨赋》与《别赋》中皆述及了帝王、列侯、名将、宫女、才人名仕等<span style="color: black;">区别</span>身份之人的人生之恨与别之苦，此与南朝动荡和倾轧的社会环境不无关系。沈尹默在创作此卷时当与江庵心境相和，<span style="color: black;">难免</span>有戚戚之感。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1727</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈尹默临《宋四家墨宝》 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 册页 近代</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">36×20.5 cm.</p>RMB：60,000-80,000
</span>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">《宋四家墨宝》著录于《石渠宝笈续编》，原藏故宫养心殿，现藏台北故宫博物院，收录蔡襄四帖、苏轼二帖、黄庭坚五帖、米芾五帖。沈尹默秉持崇帖之观念，推崇唐宋名家法书，是为晚清民国重要的帖学<span style="color: black;">大众</span>。沈尹默书法以王羲之书法为核心，视宋黄庭坚、米芾为根基，<span style="color: black;">针对</span>宋人书法的临习<span style="color: black;">非常</span><span style="color: black;">注重</span>。1932年沈尹默回到上海，<span style="color: black;">保持</span>遍临唐宋名家法书，其中便有对《宋四家墨宝》的临习。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1729</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">沈尹默临并跋明王宠草书《古诗十九首》</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 手卷 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">29×459 cm.</p>RMB：60,000-80,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">王宠推崇吴门诸家书法，但世家大族的身份与王宠截然<span style="color: black;">区别</span>，这种社会心理上的巨大悬殊在王宠的书法中即有了充分<span style="color: black;">表现</span>。《草书古诗十九首》，是王宠的名作，创作于三十四岁时。其内心的抑郁不平与书法追求中的超尘脱俗所产生的猛烈地碰撞，造就了其《草书古诗十九首》的超凡艺境。沈尹默临《草书古诗十九首》的风格与原作中的疏阔冲淡之气有所变化，这<span style="color: black;">亦</span>与其<span style="color: black;">自己</span>的书法风格与时代文化背景<span style="color: black;">相关</span>，这一点恰恰与王宠创作此作品的精神相契。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">3、</span>文房古董</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">文房古董是文人精神世界在书斋一隅的外化，书斋中所<span style="color: black;">摆设</span>之一应器物，无一不向世人展示着其主人的品性与格调。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1643</strong></p><strong style="color: blue;"><span style="color: black;">明 </span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">铜交龙笔架</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">21.5x4.5cm.</p>RMB：180,000-200,000
</span>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">此笔架以精铜为材，包浆古朴，两螭龙交缠游戏，构思独特，神态逼真，如此高雅之物，可<span style="color: black;">叫作</span>文房之佳品，必为当时贵族所有。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1635</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">梅景书屋旧藏 吴昌硕刻李鸿裔自用印 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">印文：苏邻审定 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">锦盒钤印：梅景书屋 </p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">边款：庚辰二月，吴俊卿仿汉。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">源自</span>：吴湖帆旧藏，有上海博物馆退还编号</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">1.9×1.8×4.5 cm.</p>无底价
</span>
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">苏邻即李鸿裔（1830-1885），苏州网师园主人，因居所靠近宋代诗人苏舜钦所建沧浪亭，故又号苏邻。此印为吴昌硕庚辰年（1880年）所刻，时吴昌硕36岁，寓苏州吴云（平斋）两礨轩。吴云与李鸿裔相交甚密，经常雅集、通信、讨论及交换藏品。吴昌硕<span style="color: black;">亦</span>在斯时与李鸿裔订书画金石之交。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1644</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">张大千以牛耳毫定制“艺坛主盟”专用毛笔</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">艺坛主盟 张大千定制毛笔二支</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">竹木 民国</p>
</strong><span style="color: black;"><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">L：23L：24.5 cm.</p>RMB：180,000-200,000
</span></strong></span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">张大千<span style="color: black;">一辈子</span>与笔墨为伍，他在制笔用笔方面尤为讲究。张大千旅居巴西<span style="color: black;">时期</span>，重金收购了一磅牛耳朵里取出的绒毛，带到日本的“玉川堂”斥700美元制成五十支毛笔命名为“艺坛主盟”，尝言“既然用的是牛耳毛，用此笔如同执牛耳。”他还专门赋诗一首：“雄狮百胜恣横行，执耳升坛众与盟，所向从来无劲敌，敢从纸上笑书生。”牛耳毫笔是大千最为中意的毛笔，他曾将“艺坛主盟”牛毫笔赠送给毕加索、谢稚柳、“儒将”黄达云、罗寄梅夫妇等人。大千先生去世之后，张氏后人捐赠给台北故宫博物院的大千遗赠中，四支大风堂选毫中就有“艺坛主盟”牛耳毫。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"><span style="color: black;"><strong style="color: blue;">Lot</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">1788</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">王希哲刻龚心铭自用印</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：龚心铭印</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">边款：景张大方家正 希哲拟金罍</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">1.7×1.7×3.5 cm.</p>RMB：10,000-15,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">龚心铭（<span style="color: black;">1865-1938</span>）字景张，号渠生，安徽合肥人。龚家为合肥四<span style="color: black;">大众</span>族之首，上博所藏著名的商鞅方升就曾经是龚心铭的藏品。<span style="color: black;">王希哲（</span><span style="color: black;">1880-1953</span><span style="color: black;">）沈阳人</span><span style="color: black;">，为</span><span style="color: black;">“</span><span style="color: black;">关东三才子</span><span style="color: black;">”</span><span style="color: black;">之一。</span><span style="color: black;">东北书法篆刻名家，他和吴昌硕、齐白石等书画大师都有唱酬，精于金石篆刻，<span style="color: black;">善于</span><span style="color: black;">各样</span>书体。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1790</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">谈月色刻“报宋遗羞薄袁犹慰”闲章</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">葵末(1943)年</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">钤印：印文：报宋遗羞薄袁犹慰</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">边款：癸未仲春见思先生正之 蔡谈月色作</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">3.5×3.5×2.5 cm.</p>RMB：15,000-20,000
</strong>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">谈月色 （<span style="color: black;">1891 </span>～<span style="color: black;">1976</span>）是一代奇女子，4岁就入庵为尼、后为爱还俗醉心艺术，成长为为毛主席治印的“现代<span style="color: black;">第1</span>女印人”，<span style="color: black;">癸未为</span><span style="color: black;">1943</span><span style="color: black;">年。</span><span style="color: black;">其时蔡哲夫刚去世两年，山河易色，故园凋零。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">谈月色借古人典故刻此印抒胸中块垒，意思是<span style="color: black;">无</span>像岳飞<span style="color: black;">同样</span>报国很羞愧，但仍像袁安<span style="color: black;">同样</span>保持了文士的清节。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">4、</span>宫廷藏品</strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">宫廷藏品与“文人”概念的内核有相通之处，宫廷藏品<span style="color: black;">也</span>是最高统治者的审美与鉴藏意趣的<span style="color: black;">表现</span>。一方面，正<span style="color: black;">所说</span>“上有好<span style="color: black;">亦</span>，下必有甚焉者矣”，宫廷所藏器物在<span style="color: black;">必定</span>程度上会引领文仕的风潮，但另一方面，其政治属性和等级属性<span style="color: black;">亦</span>最为鲜明，又表现出区别于民间器物的<span style="color: black;">保藏</span>。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1800</strong></p><strong style="color: blue;"><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">乾隆宫廷用旗、幡</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">L：281 cm.；L：94 cm</p>RMB：50,000-60,000
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">此拍品为皇家专用旗、幡一套两件，幡为供养道教、佛教神佛菩萨的庄严之具，用以象征道释诸尊之威德。此幡明黄地，三条幡带共绣有21条五爪龙。旗则为双面五爪龙，立于海水山崖之上，头顶火珠，威严地俯视众生。工艺之精湛，令人叹为观止。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"><span style="color: black;">库藏标签</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Lot1732</strong></p><strong style="color: blue;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">乾隆内府《太上洞玄灵宝经》</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">水墨纸本 手卷 清</p>
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">H：27 cm</p>RMB：30,000-35,000
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<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">此经卷为乾隆三十五年内府钦安殿竿顶镇旗经，此经卷与明弘治时于钦安殿外树立宏大的纛旗杆<span style="color: black;">相关</span>。乾隆时旗杆糟朽，<span style="color: black;">需要</span>改换，从乾隆六年<span style="color: black;">始终</span>到乾隆十六年才找到适宜的木材。旛竿之上设有木斗，呈倒梯形，斗内储存镇旗道经，即为此拍品。该经卷其装池<span style="color: black;">精细</span><span style="color: black;">繁杂</span>，有浓郁的檀香味，当为重要的内府供养经卷。此经卷世所罕见，留存资料<span style="color: black;">也</span>少，但可从内府关于钦安殿旛竿及藏经的维修档案中可见其<span style="color: black;">关联</span>记载。</p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">如需咨询本场拍卖<span style="color: black;">更加多</span>信息，可添加大象个人工作<span style="color: black;">微X</span>号咨询（本号不闲聊哈，非诚勿扰）</span></strong></span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
楼主发的这篇帖子，我觉得非常有道理。 楼主的文章非常有意义，提升了我的知识水平。
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