Sentences on Photography 关于摄影的话
<span style="color: black;">文／托比永·罗兰德 Torbjørn Rødland</span><span style="color: black;">译／彭可、黄安澜</span><p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/0nUfhf3cMJGEiaeFMic6N4TlDCbBRUNEHqhJxOujZSJCiadK3mNXEKpmUmTlclxDp3kQaZZ5M2WfqOZnNfCsibx9ibw/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">Hand on Fire</span><span style="color: black;">, </span><span style="color: black;">Torbjørn Rødland, 2008</span></p><span style="color: black;">1</span><span style="color: black;">The muteness of a photograph matters as much as its ability to speak.</span><span style="color: black;">照片沉默的能力和它表达的能力<span style="color: black;">同样</span>重要。</span><span style="color: black;">2</span><span style="color: black;">The juxtaposition of photographs matters as much as the muteness of each.</span><span style="color: black;">将照片并置与让它们各自沉默<span style="color: black;">同样</span>重要。</span><span style="color: black;">3</span><span style="color: black;">All photography flattens. Objectification is inescapable.</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">所有的摄影都是平的，物化是不可避免的。</p>
</span><span style="color: black;">4</span><span style="color: black;">Photography cannot secure the integrity of its subject any more than it can satisfy the need to touch or taste.</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">相比起<span style="color: black;">保准</span>被摄物诚实的样貌，摄影更能满足人们触摸<span style="color: black;">或</span>品尝它的欲望。</p>
</span><span style="color: black;">5</span><span style="color: black;">Good ideas are easily bungled.</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">好的想法都很容易被搞砸。</p>
</span><span style="color: black;">6</span><span style="color: black;">Banal ideas can be rescued by personal investment and beautiful execution.</span><span style="color: black;">个人<span style="color: black;">奋斗</span>和优秀的执行<span style="color: black;">能够</span>拯救平庸的想法。</span><span style="color: black;">7</span><span style="color: black;">Lacking an appealing surface, a photograph should depict surfaces appealingly.</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">纵使打印出来的照片<span style="color: black;">无</span>吸引人的表面，但照片能够将表面描绘得很吸引人。</p>
</span><span style="color: black;">8</span><span style="color: black;">A photograph that refuses to market anything but its own complexities is perverse. Perversion is bliss.</span><span style="color: black;">一张除了<span style="color: black;">自己</span>的<span style="color: black;">繁杂</span>性之余，拒绝推广任何东西的照片是任性和偏执的。而偏执让人欣喜若狂。</span><span style="color: black;">9</span><span style="color: black;">A backlit object is a pregnant object.</span><span style="color: black;">一个从<span style="color: black;">背面</span>被照亮的物件是一个富饶的物件。</span><span style="color: black;">10</span><span style="color: black;">To disregard symbols is to disregard a part of human perception.</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">漠视符号<span style="color: black;">便是</span>漠视人性感知力的一部分。</p>
</span><span style="color: black;">11</span><span style="color: black;">Photography may employ tools and characteristics of reportage without being reportage.</span><span style="color: black;">摄影<span style="color: black;">能够</span>运用<span style="color: black;">资讯</span><span style="color: black;">报告</span>的工具和特点，但不<span style="color: black;">报告</span>什么。</span><span style="color: black;">12</span><span style="color: black;">The only photojournalistic images that remain interesting are the ones that produce or evoke myths.</span><span style="color: black;"><span style="color: black;">仅有</span>生产和激发虚构的<span style="color: black;">资讯</span><span style="color: black;">照片</span>是有趣的。</span><span style="color: black;">13</span><span style="color: black;">A photographer in doubt will get better results than a photographer caught up in the freedom of irony.</span><span style="color: black;">带着<span style="color: black;">可疑</span>的摄影师会比自由自在地表达讽刺并受它所困的摄影师，拍到更好的照片。</span><span style="color: black;">14</span><span style="color: black;">The aestheticizing eye is a distant eye. </span><span style="color: black;">The melancholic eye is a distant eye. The ironic eye is a distant eye.</span><span style="color: black;">审美式的眼神是有距离的眼神。</span><span style="color: black;"><span style="color: black;">哀伤</span>的眼神是有距离的眼神。讽刺的眼神是有距离的眼神。</span><span style="color: black;">15</span><span style="color: black;">One challenge in photography is to outdistance distance. Immersion is key.</span><span style="color: black;">摄影的其中一个挑战是超越距离。沉浸是关键。</span><span style="color: black;">16</span><span style="color: black;">Irony may be applied in homeopathic doses.</span><span style="color: black;">讽刺<span style="color: black;">能够</span>像顺势治疗法<span style="color: black;">同样</span>，一次一次稀释着<span style="color: black;">运用</span>。</span><span style="color: black;">17</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">A lyrical photograph should be aware of its absurdity. Lyricism grows from awareness.</p>
</span><span style="color: black;">一张抒情的照片应该<span style="color: black;">认识</span>到自己的荒谬。抒情性是从觉察中生长出来的。</span><span style="color: black;">18</span><span style="color: black;">For the photographer, everyone and everything is a model, including the photograph itself.</span><span style="color: black;">
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">对摄影师<span style="color: black;">来讲</span>，任何人，任何事物都是模特，<span style="color: black;">包含</span>照片本身。</p>
</span><span style="color: black;">19</span><span style="color: black;">The photography characterized by these sentences is informed by conceptual art.</span><span style="color: black;">带有这些句子里描述的特征的摄影和观念艺术<span style="color: black;">相关</span>。</span><span style="color: black;">20</span><span style="color: black;">The photography characterized by these sentences is not conceptual photography.</span><span style="color: black;">带有这些句子里描述的特征的摄影不是观念摄影。</span><span style="color: black;">*原文刊登于Tripple Canopy, Issue #12: "Black Box," May 5, 2011</span><img src="https://mmbiz.qpic.cn/mmbiz_gif/0nUfhf3cMJHVMlzKbvO9rbibPE7qtF5UUesfKpQ7PAM9KpYkm7gx6rvyVq5lVukDibpGxEticPMIqBzJ9k3skmQeQ/640?wx_fmt=gif&tp=webp&wxfrom=5&wx_lazy=1" style="width: 50%; margin-bottom: 20px;"><img src="https://mmbiz.qpic.cn/mmbiz_png/0nUfhf3cMJHVMlzKbvO9rbibPE7qtF5UU36HCRTUSic7QU3022W51ZYhAHZGKeu05CiaNXuu9HBurDffIbcykYmhg/640?wx_fmt=png&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"><span style="color: black;"><strong style="color: blue;">作者介绍</strong></span><span style="color: black;">托比永·罗兰德（Torbjørn Rødland）b. 1970，Rødland用尖锐的图像直击观者，以激发出纷杂的情感与智力思考。对自然世界的好奇，幽默，批判性，小聪明，敬仰与浪漫主义贯穿他的作品，并常常<span style="color: black;">同期</span>出<span style="color: black;">此刻</span>同一张图像里。</span>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="https://mmbiz.qpic.cn/mmbiz_jpg/0nUfhf3cMJFpN8o16EhvFlwwSSTibibJ9xkejgBhRADZdCian8MZS8BRlgVQmSgnJXQibYbV2cQ96tR2k6r2j66qUg/640?wx_fmt=jpeg&tp=webp&wxfrom=5&wx_lazy=1&wx_co=1" style="width: 50%; margin-bottom: 20px;"></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">Play Under（翻面游戏）是一个基于图像语言的学习小组，2020年在上海成立。致力于<span style="color: black;">供给</span>一个松弛的图像讨论环境，实践形式<span style="color: black;">包含</span>翻译、写作、线下活动、出版物和艺术家合作项目等。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">"play under" 即探索<span style="color: black;">咱们</span>以松弛的方式对待实践和交流的<span style="color: black;">各样</span>可能性，依旧<span style="color: black;">处在</span>一个既定和相对封闭的系统中<span style="color: black;">也</span>是<span style="color: black;">不问可知</span>的。而图像<span style="color: black;">亦</span>似是而非，这似乎是对的，<span style="color: black;">亦</span>可能是不对的。</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">邮箱：playundertable@gmail.com</span></p>
<p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">Instagram：@play_under</span></p>
i免费外链发布平台 http://www.fok120.com/ 你的见解独到，让我受益匪浅，非常感谢。 论坛是一个舞台，让我们在这里尽情的释放自己。 期待更新、坐等、迫不及待等。 我完全同意你的观点，说得太对了。
页:
[1]