tw4ld6 发表于 2024-6-29 15:03:47

REVIEW | 展览 11:59


    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">由theBLANC艺术空间和纽约大学Tisch艺术学院ITP（交互艺术项目）<span style="color: black;">一起</span>合作呈现的交互艺术展览“11:59”收获了巨大的关注。这个展览由纽约大学Blair Simmons教授<span style="color: black;">指点</span>，Cai Shuang、Suraj Barthy和Xiaotian Zhang<span style="color: black;">一起</span>策划。Simmons教授以theBLANC艺术空间的02号展厅为创作对象，与她授课内容相结合，策划了这个展览。参展的学生艺术家<span style="color: black;">捉捕</span>了<span style="color: black;">半夜</span>前夕的瞬间，呼应并象征了期待与潜能之间微妙的平衡。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkFXP624ibGkLr7vNqY7moe1zLdibHt0gCnKFH5DEwTkxHkTWWlT0QYTCA/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">“11:59”的主题在每件作品中都得到了深刻<span style="color: black;">表现</span>，为观众呈现了关于时间过渡和流逝的丰富<span style="color: black;">诠释</span>。此次展览自2024年4月13日至4月27日举行。在展期间，艺术家们探讨了结束与<span style="color: black;">起始</span>之间微妙的界限，<span style="color: black;">捉捕</span>了这些瞬间的<span style="color: black;">剧烈</span>情感和不确定性。作品在媒介和视角上的多样性引领观众深入艺术家对变化、成长和未知的个人思考。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkccrE9KuEP3cEiaypQK410eD7s4qPGmbHavprUda5JrW8zUl3iayv1jsg/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">展览的亮点<span style="color: black;">包含</span>挑战<span style="color: black;">咱们</span>对时间感知的互动<span style="color: black;">安装</span>、描绘新一天前最后一分钟的活力与紧张的画作，以及<span style="color: black;">做为</span>重大生活变革临界点的隐喻的雕塑。每件作品都证明了其创作者的勇气和创新，带来了关于过渡这一<span style="color: black;">广泛</span>经历的新见解。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkDrddQ7qz5IJaBvnkT0sPzs4yDlTCPZwdOLEicVTD3TqQUSmyo7NZQyg/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">随着“11:59”的落幕，<span style="color: black;">咱们</span>将带着从这场独特艺术探索中<span style="color: black;">得到</span>的灵感和见解前行。感谢每位热情参与的<span style="color: black;">伴侣</span>，是你们的反馈和参与，<span style="color: black;">帮忙</span>使这次展览取得了<span style="color: black;">极重</span>成功。</p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">ARTWORK ｜ 参展作品</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkU9Gw0p70uFHibntx3RnCx64ItnR5DtjAVRBaypWEgZAgTibFliaIGpb3Q/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;"><span style="color: black;">Yuhanxiao (Maggie) Ma</span></strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;"><span style="color: black;">一个进行中的时钟&nbsp;</span></strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">重新配线的时钟、Arduino、电池</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">本系列作品由三个时钟<span style="color: black;">构成</span>，旨在挑战传统对“时钟应具备何种功能”的看法，以及<span style="color: black;">咱们</span>对时间的期待和理解。艺术家试图展现生活时间（即<span style="color: black;">咱们</span><span style="color: black;">怎样</span>主观地和情感上体验时间）与钟表时间（时间<span style="color: black;">怎样</span>被客观地标示和构造）之间的不协调。《一个进行中的时钟》让观众探索“<span style="color: black;">此刻</span>”这一流动概念。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXk0IliazIf3TQgjjwicOggWZvlM7EUxTjDcU1k6LcfSM3EiaZU4RCBXEJcQ/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">FILS</strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">人类时钟</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">人类、时钟、手机</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">FILS的<span style="color: black;">安装</span>戏剧性地探讨了<span style="color: black;">没</span>生命体承载生命的可能性。受到简·贝内特的“物质力量”概念的启发，此作品旨在<span style="color: black;">经过</span>赋予物体“充满活力的物质”，让观众体验时间的具象化和转变，暗示主体性并非仅限于生物。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkm3RXP5kJ3f9AjTFian1icWI5BhiaZZlgbXkmt4zLsibvUI9iaxbvCd4icWvA/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">Kyra Li</strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">你注定要<span style="color: black;">作为</span><span style="color: black;">非常多</span>事情……</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">泡泡</span>、羊毛粗纱、粘土、丙烯酸、投影仪</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">Kyra Li的作品深入探讨了时间流逝、焦虑以及<span style="color: black;">咱们</span><span style="color: black;">怎样</span>体验<span style="color: black;">自己</span>老化的问题。这件作品<span style="color: black;">经过</span>数字<span style="color: black;">持续</span><span style="color: black;">增多</span>的蛋糕型<span style="color: black;">安装</span>，象征着<span style="color: black;">咱们</span><span style="color: black;">没</span>法<span style="color: black;">掌控</span>的线性时间流逝，并质疑了社会对年龄<span style="color: black;">关联</span>成就的期望，如稳定的职业或<span style="color: black;">结婚</span>。此作品邀请观众反思<span style="color: black;">咱们</span>与时间的关系，拥抱生活<span style="color: black;">供给</span>的多样可能。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXk7n6UfX0Z3r7dBcuj0Pmeibz1jtrrmdQwFObibvdEZTnp4Xox7pMXibF4Q/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Kathryn Lee</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">时间拼图</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">桦木、<span style="color: black;">各样</span>纱线、</span><span style="color: black;">以及聚乳酸（PLA）</span></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品聚焦于时间不可捉摸的本质以及人们在<span style="color: black;">平常</span>任务中面对的种种挑战。利用激光切割的沙漏形拼图板和钩织的七巧板式设计，这件作品探讨了<span style="color: black;">怎样</span>安排时间优先级及其个体间的差异，鼓励观众在与作品触摸互动的<span style="color: black;">同期</span>，质疑自己的时间安排和应对<span style="color: black;">区别</span>生活元素的挑战。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkYZJyruTb2kCSEDFWtgFF6yyicbtC9FwbYl4D0r04HuRXFj4gOiaYITqA/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Sarah Koh</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">我只是人类</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">动画、雕塑、</span><span style="color: black;">织物</span></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品探索了梦境<span style="color: black;">做为</span>处理时间和经历的心理<span style="color: black;">工具</span>，<span style="color: black;">明显</span>了梦境在心灵自省中所扮演的角色。<span style="color: black;">经过</span>电视机内部的手工雕塑卧室和梦境频道的交互，此作品邀请观众<span style="color: black;">运用</span>遥控器切换频道，一同探索梦境在个人生活中的<span style="color: black;">功效</span>。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkrneCIEwouwwZNaPtJLRlq2shm2NmArzHTUKV7G76Yrf5bfRyJyCV1Q/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;">Victoria Liu</strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">失眠的梦</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">HTML、CSS、JavaScript、Procreate</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">在《失眠的梦》中，Victoria Liu<span style="color: black;">经过</span>动画探索了<span style="color: black;">睡觉</span>与时间的关系。这件作品<span style="color: black;">经过</span>独特的颜色、形状的动画表现了睡前思绪的丰富和多样性，网页触发随机动画<span style="color: black;">亦</span>象征着进入新的一天时所面临的内在挑战的不可预测性。此作品探讨了艺术家思绪速度与<span style="color: black;">周边</span>时间流逝速度之间的推拉关系。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkRLo0HialicjuLVnLPv2zhx0icL6Gib1a0zbND2merhV9WGKAye0lExicLgw/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Jiwon Yu</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">阿爸，你去钓鱼了吗？</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">5.5加仑的鱼缸、人发、钓鱼浮标、发饰、水、渔网、毛巾、底座</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这是一个互动<span style="color: black;">安装</span>，<span style="color: black;">经过</span>装满人发的鱼缸探讨记忆、经历与时间的交汇。每一根发丝<span style="color: black;">表率</span>艺术家过去十年与父亲分离的生活中的某个特定年份，<span style="color: black;">作为</span>了她探索身份和时间主题的媒介，而钓鱼的概念来自<span style="color: black;">喜欢</span>钓鱼的父亲。作品鼓励观众<span style="color: black;">经过</span><span style="color: black;">运用</span>渔网与<span style="color: black;">安装</span>进行互动，<span style="color: black;">经过</span>指引，<span style="color: black;">认识</span>艺术家生活中的<span style="color: black;">重要</span>时间点，以及体验记忆和时间的流动。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkVxad2Pic6fwjWLic3TDT7pQTRrQVHT5P2JXLtdF9OAA7masetiaAB5RPQ/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Wanting Mao</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">只是一分钟</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">表示</span>器、键盘、JavaScript、HTML</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">这件作品探讨了时间伦理：<span style="color: black;">咱们</span><span style="color: black;">平常</span>决策的<span style="color: black;">没</span>形后果。此作品抽象地隔离了时间的流逝，强调<span style="color: black;">每一个</span>看似微不足道的分钟都是构建<span style="color: black;">咱们</span><span style="color: black;">平常</span>、周、月乃至年的基石。面对问题“你愿意从别人的生命中取走一分钟以延长自己的生命吗？”观众被引导深思何者的时间最为<span style="color: black;">要紧</span>。<span style="color: black;">倘若</span>这一分钟属于所爱之人或宠物，又<span style="color: black;">或</span>是<span style="color: black;">她们</span>的生命中的最后一分钟，又会<span style="color: black;">怎样</span>？此作品<span style="color: black;">经过</span>充满趣味的复古界面和有机心跳声，挑战观众对轻率决策的反思。</span></p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXk4ibsnIXnxtF0Jde5lGVXmY9sRqveia5ogRy5eCIe4qoaoQfd2Z4lucDw/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Anna Ren</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">等待</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">显示器、Raspberry Pi电脑、ED灯条、Arduino、金属</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品是Anna Ren对跨时区人际关系的深入探讨。环绕地球仪的LED时钟，<span style="color: black;">每一个</span>时钟<span style="color: black;">表率</span>艺术家在<span style="color: black;">全世界</span>各地的<span style="color: black;">伴侣</span>和家人的所在地。<span style="color: black;">做为</span>国际学生成长过程中频繁<span style="color: black;">搬迁</span>，让她与他人<span style="color: black;">创立</span>了宝贵的联系。然而时区的分隔带来了挑战：当一个地区夜幕降临时，相应的时钟<span style="color: black;">起始</span>倒计时，<span style="color: black;">表率</span>着当地人孤独等待下一次联结。《等待》<span style="color: black;">表现</span><span style="color: black;">哪些</span>生活在<span style="color: black;">区别</span>时区人们的限时共处的感伤现实，并邀请观众一同体味这种“等待的本质”。</p><img src="https://mmbiz.qpic.cn/sz_mmbiz_jpg/dSmzEJjicy3hL2G74tyXSuLvYY9LXhjXkyYaCCf26CfVBOiaaoWYOJY2c3xYymcRFe7fxZmrkficJ79nG0lW9fkZQ/640?wx_fmt=jpeg&amp;from=appmsg&amp;tp=webp&amp;wxfrom=5&amp;wx_lazy=1&amp;wx_co=1" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Yuris (Yerui Luo)</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">瞬息变幻：航行变革</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024年</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">混合现实、VR技术</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品<span style="color: black;">供给</span>了对人类与快速发展科技关系的探索。<span style="color: black;">经过</span>沉浸式混合现实体验，观众被带入一个被数字化形态侵袭的熟悉空间，感受逼近的电气幻影带来的压力。作品<span style="color: black;">促进</span><span style="color: black;">咱们</span>思考<span style="color: black;">自己</span>的适应能力以及在变革中寻找平静的必要性，提醒<span style="color: black;">咱们</span>在不确定性面前人类精神的坚韧。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Yiwa (Eva) He</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">时间的价值</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">Arduino、热敏打印机、丙烯酸</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品是一个互动<span style="color: black;">安装</span>，探讨了“时间<span style="color: black;">便是</span>金钱”的谚语。当观众站在<span style="color: black;">安装</span>前一段时间，<span style="color: black;">她们</span>的时间被隐喻性地“购买”，并可<span style="color: black;">经过</span>热敏打印机打印出<span style="color: black;">她们</span>时间的物质化证据。这种行动展示了<span style="color: black;">咱们</span><span style="color: black;">怎样</span>在快节奏的世界中商品化时间。此作品邀请观众停下来思考<span style="color: black;">她们</span>的时间的重量和价值。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">Suraj Barthy</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">追逐</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">时钟、步进电机、Arduino微<span style="color: black;">掌控</span>器、3D打印的指针</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">Suraj Barthy的《追逐》是一件动态雕塑，挑战了对时间的传统表现。<span style="color: black;">经过</span>机械的设计，这件作品传达了对<span style="color: black;">没</span>尽追求的期待感，时钟面旋转<span style="color: black;">引起</span>时间在<span style="color: black;">半夜</span>后断断续续地追赶，但永远在11:59被打断，永远<span style="color: black;">没</span>法到达。作品<span style="color: black;">经过</span><span style="color: black;">持续</span>的追逐和打断，探讨了时间的<span style="color: black;">全世界</span>性和<span style="color: black;">地区</span>性，以及<span style="color: black;">做为</span>可<span style="color: black;">测绘</span>和主观体验的双重性。此作品鼓励观众<span style="color: black;">爱惜</span>这些短暂的时刻，<span style="color: black;">发掘</span>在期待<span style="color: black;">将来</span>到来时的<span style="color: black;">漂亮</span>，并庆祝时间所<span style="color: black;">包含</span>的多样化经验。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Yihua Tao</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;"><span style="color: black;">双重性 | 一体性</span></strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">2024</p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">屏幕、织物</p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">Yihua Tao的作品深入探索了他<span style="color: black;">数年</span>修行大乘佛教和密宗佛教后的感悟：追寻真理的过程中，二元思维越是深入，真理越显难以捉摸。在量子<span style="color: black;">行业</span>，时间呈现其双重性：在绝对层面，时间的概念在量子<span style="color: black;">泡泡</span>中消失，粒子在存在与不存在间跳动；在相对层面，时间则依观察者而异。这件作品<span style="color: black;">经过</span>实时渲染的视觉体验，使观众能感受到时间的流动性和不确定性，<span style="color: black;">诱发</span>对时间本质的深刻反思。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Yilin Wang</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">沉睡的怪兽</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品<span style="color: black;">经过</span>一个缓慢膨胀的气球与其上方悬挂的尖刺，形象地描绘了技术进步的双刃剑性质。气球的<span style="color: black;">连续</span>膨胀象征着技术的<span style="color: black;">持续</span>进步，而尖刺则预示着这种进步可能带来的潜在<span style="color: black;">危险</span>。这件作品<span style="color: black;">诱发</span>观众对科技发展未加<span style="color: black;">警觉</span>可能带来的后果进行深思，强调了保持警觉的<span style="color: black;">要紧</span>性。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Ava Grabar</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">现代医学</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">动画短片《现代医学》深刻描绘了<span style="color: black;">药品</span>依赖的<span style="color: black;">繁杂</span>性和<span style="color: black;">害处</span>。作品中，邪恶的角色从用户的沙漏中抽取时间，象征着<span style="color: black;">药品</span><span style="color: black;">乱用</span>消耗生命的每一刻。这部短片不仅探讨了物质依赖对个体的破坏，还反映了这一社会问题的广泛影响，提醒人们关注<span style="color: black;">药品</span><span style="color: black;">乱用</span>带来的长远后果。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><strong style="color: blue;">Meggie Weinheimer</strong></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">鬼影硬件II</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">LED、轻钢、定制硬件</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">这件作品探索了生活中重大变革前身<span style="color: black;">身体</span>在的紧张与期待。<span style="color: black;">经过</span>LED和轻钢的<span style="color: black;">运用</span>，这件艺术品表现了从寂静到喧嚣的过渡时刻，探索了过渡时期的光线与声音的对比状态，<span style="color: black;">经过</span>物质的对比强调了变化的不可避免性，以及对<span style="color: black;">掌控</span>幻觉的思考，激发观众对变革中的不确定性和可能性的思考。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">Jessica Lin</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;"><span style="color: black;">咱们</span>玩弄时间</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">亚克力板、纸、棉花、木材、丙烯颜料、金属</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">作品<span style="color: black;">经过</span>一个互动的模拟玩具，探讨了时间的概念和<span style="color: black;">咱们</span>对其<span style="color: black;">掌控</span>的边界与门槛。这件作品灵感<span style="color: black;">源自</span>于传统的视觉错觉玩具，如雅各布梯或中国积木，<span style="color: black;">经过</span>改变玩具动作的原始机制，展示时间的流逝和<span style="color: black;">咱们</span>对其的主观感知。作品邀请观众<span style="color: black;">经过</span>互动体验时间的流动，反思时间的连续性和<span style="color: black;">咱们</span>在其中扮演的角色。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">Aneesa Julmice</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">在她的时代 I 和 II</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">哈内姆勒德国蚀版印刷</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">作品<span style="color: black;">经过</span>探索时间的维度，作品展现了黑人女性在成长和回顾两个<span style="color: black;">周期</span>的情感<span style="color: black;">繁杂</span>性：一面是黑人<span style="color: black;">女子</span>急于成长，另一面则是成年黑人女性对童年<span style="color: black;">没</span>忧时光的怀恋。Julmice<span style="color: black;">经过</span>这对作品表达了一种怀旧感，挑战观众对成长和成熟的常规看法，探讨了成年的平凡与混乱以及数字时代对即时满足的追求之间的对比。</p><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;">
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;">Xiaotian Zhang</span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><strong style="color: blue;"><span style="color: black;"><span style="color: black;">此刻</span></span></strong></span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">2024</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">3D打印树脂、LED、音频</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">作品探索了时间的孤立感和个体经历的<span style="color: black;">独一</span>性。<span style="color: black;">经过</span>结合3D打印树脂、LED灯和音频元素，艺术家展示了在<span style="color: black;">重要</span>时刻——如等待录取决定、面试结果，或是查看银行账户前的那一刻——个人可能感受到的<span style="color: black;">剧烈</span><span style="color: black;">心情</span>。《<span style="color: black;">此刻</span>》<span style="color: black;">经过</span>声音<span style="color: black;">捉捕</span>这种时间感知的差异，呈现确定性与不确定性的交织，<span style="color: black;">诱发</span>观众对时间在个体生活中<span style="color: black;">功效</span>的深入思考。</p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;">文本编辑 / Lorrainell Luo</p>

    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">照片</span>整理 / Xiaotian Zhang</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">排版美化 / Stella Lv</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">照片</span>版权 / theBLANC</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><img src="data:image/svg+xml,%3C%3Fxml version=1.0 encoding=UTF-8%3F%3E%3Csvg width=1px height=1px viewBox=0 0 1 1 version=1.1 xmlns=http://www.w3.org/2000/svg xmlns:xlink=http://www.w3.org/1999/xlink%3E%3Ctitle%3E%3C/title%3E%3Cg stroke=none stroke-width=1 fill=none fill-rule=evenodd fill-opacity=0%3E%3Cg transform=translate(-249.000000, -126.000000) fill=%23FFFFFF%3E%3Crect x=249 y=126 width=1 height=1%3E%3C/rect%3E%3C/g%3E%3C/g%3E%3C/svg%3E" style="width: 50%; margin-bottom: 20px;"></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">艺&nbsp; 术&nbsp; 空&nbsp; 间</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;"><span style="color: black;">位置</span> | Address</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">15 East 40th Street, 2nd Fl</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">New York, NY 10016</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">邮箱 | Email</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">info@theblanc.art</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">网址 | Website</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">www.theblanc.art</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">Instagram</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">@theblanc_ny</span></p>
    <p style="font-size: 16px; color: black; line-height: 40px; text-align: left; margin-bottom: 15px;"><span style="color: black;">关注<span style="color: black;">咱们</span> | Follow us</span></p>




j8typz 发表于 2024-10-30 14:30:46

交流如星光璀璨，点亮思想夜空。
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查看完整版本: REVIEW | 展览 11:59